The Best Southern Books of March 2024 https://ift.tt/Xyxz9Ee
Happy March! I feel the seasonal depression leaving my body, despite the missing hour of sleep, so springing forward can’t be all bad. March also brings a slew of fantastic new fiction, nonfiction, and poetry, so I hope you’re able to find something new and fabulous to read in the sun.
University of Nebraska Press: “In this tender collection of letters to his son, Tomás Q. Morín meditates on love, the body, and the future his son will have to face. He writes about the America his son will soon be born into, a country that will constantly question his place in it. An America that wields labels like Black, Brown, and white to make itself feel safe. An America in which Mexican American people continue to be seen as outsiders in their ancestral lands.”
University Press of Kentucky: “Find the beauty. In 2017, writer and educator Rahul Mehta began a writing practice to find solace and beauty — in the natural world, in their family and friends, and in everyday simplicities — during a time of political tensions, environmental disasters, a global pandemic, and personal disappointment. From the vibrant color of a blade of grass, to their dog sleeping quietly in the corner, to delicate petals fallen from a rose, a mindfulness of the beauty in their surroundings helped offset the feelings of fear, outrage, and helplessness. The result of this exercise is a profoundly moving poetry collection that explores Mehta’s South Asian and Appalachian culture, their Queerness, their relationships with self and others, race, privilege, and a deep admiration of nature and the spiritual realm.”
Duke University Press: “Rooting WWAV in the geography of the South and the living history of generations of Black feminist thinkers, McTighe and WWAV weave together stories from their founders’ pioneering work during the Black HIV/AIDS crisis in the 1980s and their groundbreaking organizing to end criminalization in the aftermath of Hurricane Katrina — with other movements for liberation as accomplices. Together, the authors refuse the logics of racial capitalism and share WWAV’s own world-building knowledges, as well as their methods for living these Black feminist futures now. Fire Dreams is a vital toolkit for grassroots organizers, activist-scholars, and all those who dream to make the world otherwise.”
Hub City: “The Last Saturday in America is set in a nation on the precipice of great change. Through examinations of suburban neighbors, bullies, gun violence, and vasectomy appointments, Ray McManus draws a portrait of American masculinity in the face of political division, pandemic, and cultural warfare. McManus’s speaker is caught between the way he was raised and the future he wants to see for who he is raising. He can no longer rely on what he thought he knew, nor does he know what to do about it. The man rendered in these pages is a father, a son, a Southerner. And he is willing to burn it all down and start something new, only to see that the new start he is looking for has been with him the whole time.”
Milkweed Editions: “How does one make sense of loss — personal and collective? When language and memory are at capacity, where do we turn? Confronted with ‘a year meant to end all / those to come,’ acclaimed poet Adam Clay questions whether anything is ‘wide enough to contain what’s left / of hope.’ In the absence of a clear way forward, the poems of Circle Back wander grief’s strange and winding path. Along the way, the line between reality and dreams blurs: cows stare with otherworldly eyes, 78s play under cactus needles, a father becomes his own child, and the dead become something more complicated — a ‘sketch turned to painting / left in a room dusty from / lack of passing through.'”
Labyrinth Road: “Ariel is afraid of her own mind. She already feels like she is too big, too queer, too rough to live up to her parents’ exacting expectations, or to fit into what the world expects of a “good girl.” And as violent fantasies she can’t control take over every aspect of her life, she is convinced something much deeper is wrong with her… Then a summer job at a carnival brings new friends into Ariel’s fractured world… with help and support, Ariel discovers a future where she can be at home in her mind and body, and for the first time learns there’s a name for what she struggles with — Obsessive Compulsive Disorder — and that she’s not broken, and not alone.”
TriQuarterly: “In her debut short-story collection A Small Apocalypse, Laura Chow Reeve examines cultural inheritance, hybridity, queerness, and the stickiness of home with an eye for both the uncanny and the realistic: human bodies become reptilian, queer ghosts haunt their friends, a young woman learns to pickle memories, and a theater floods during an apocalyptic movie marathon. The characters in A Small Apocalypse weave in and out of its fourteen stories, confronting their sense of otherness and struggling to find new ways of being and belonging. Heavily steeped in the swampy, feral heat of Florida, these stories venture beyond the problems of constructing an identity to the frontier of characters living their truth in a world that doesn’t yet have a place for them.”
Harper Perennial: “Lacey Bond is a 13-year-old girl in New Hampshire growing up in the tranquility of her hippie parents’ rural daycare center. Then the Satanic Panic hits. It’s the summer of 1990 when Lacey ’s parents are handcuffed, flung into the county jail, and faced with a torrent of jaw-dropping accusations as part of a mass hysteria sweeping the nation. When a horrific murder brings Lacey to the breaking point, she makes a ruthless choice that will haunt her for decades. Rainbow Black is an addictive, searing, high-octane triumph, an imaginative tour de force about one woman’s tireless desire to be free.”
Riverhead Books: “Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister’s words a love so captivating it transcends language. As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next.”
Arte Público Press: “Illusion and the possibility of magic coexist with the pain and joy of daily life in these compelling pieces mostly set in the Texas-Mexico border region… Dreams, memories, visions and superstitions permeate this collection of short fiction that blends the ordinary with the extraordinary, making the fantastical feel surprisingly tangible. Considering themes of outsider status and displacement, cultural representation and authenticity, identity and collective memory, award-winning author Daniel Chacón once again crafts troubled characters searching for salvation from sorrows they often cannot even articulate.”
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